Clogging is an expressive style of American dance with origins in the folk dances of the British Isles, Africa, and pre-Columbian America. Settlers in the American South took elements of these styles to form a unique American dance style, Appalachian clog dancing.
Though the eighteenth-century Scottish and Irish settlers brought with them the clog, a step dance characterized by a very erect upper body, the additional influences of the traditional dance of Native Americans with its toe-heel, toe-heel movement and African American buck dancing, in which the arms hang loosely at the dancer's sides, made for a distinctly American style. The basic clogging and buckdancing step consists of a double toe shuffle, where the dancer brushes forward the toe and then the heel of the free foot, shifts his or her weight to that foot, then rocks onto the other foot, before stepping back onto the foot that had originally been free. The leg is generally raised a little more than six inches off the ground in clogging, while the feet stay close to the ground in traditional buckdancing.
Team clogging, coupled dancers executing individual step dances together in group configurations, is a relatively new composite dance form that began in the 1920s in western North Carolina. In was initiated when The Smokey Mountain Dancers first performed at the Bascom Lamar Lunsford Festival in 1927 in Asheville. By 1938, team clogging had its own competition at the Lunsford Festival, and it was won by the well known Soco Gap Dancers from the Maggie Valley area.
They performed freestyle buck dance steps continuously while doing mountain style square dance figures called by one of the dancers. In freestyle (or traditional) clogging, the dancers perform spontaneous footwork, which allows them to improvise while moving about the dance floor in time to live music provided usually by string bands. Team clogging won more widespread respect and recognition when the Soco Gap Team performed at the White House in 1939 for an audience including the Queen of England. Queen Elizabeth was said to have remarked "that's just like our clogging."
sources: Dave Tabler & www.doubletoe.com/About.htm
French Canadian Foot Percussion
What is the French Canadian Foot Tapping Known as Quebecois Podorythmie?
Quebecois music consists of French lyrics and music with Irish and Scottish influence. Typical instruments include fiddle, accordion, piano, guitar, and of course, the distinctive foot tapping known as podorythmie. "This is our traditional percussion," said Olivier Demers of Le Vent Du Nord in a 2010 interview with the Dover post "We grew up seeing our elders able to do the foot tapping, and as long as we are four or five years old, we are able to do that."
Podorythmie certainly spices up Quebecois tunes, but traditionally its purpose was to provide rhythm for dancers. Describing early Quebecois music on the July 1, 2008 episode of NPR's Morning Edition, Demers says, "They put the fiddler on a chair and put the chair on a table in the middle of the kitchen because it was the largest room in the house. People would dance around the table while the fiddler played and tapped his feet."